Quote:
Originally posted by Gadget Every time you push your partner's hand, you should move backwards and every time you pull, you should move forward |
For the purposes of this exercise - yes. Remember this is an exercise designed to improve a particular area of a man's dancing - namely wild leading. Some people might include it in their own style when they dance freestyle, but the aim is to develop a feeling that you try to recreate no matter how you dance.
Quote:
| trying to keep equal pressure in the lead? |
Not quite - the pressure constantly changes, but the lady should match whatever pressure the man gives. Ever noticed that when you dance with a good lady, you always know where she is and what she is doing. It's because she maintains the connection, even when you are not leading anything.
Quote:
| I take it that you try to keep your "center" and pivot if the lead is to the side, and advance/retreat if the lead is more central? |
That is what the ladies do when they follow.
Quote:
| So in the 'first move' example, the "open out" would result in almost going back to back with your partner? |
Sort of. A lot depends on the relative size. With a big man leading a small lady, the energy in the lead would not result in the man moving as much as the lady.
The whole idea is to realise how long it takes a body to actually move, and how large that movement is, whilst still being comfortable.
(The first move is interesting. As I understand it, the 'official' Ceroc way in the twist is that the man and the lady both twist away from each other. I do the opposite - I twist in the same direction as the lady. This is a completely different type of lead - I start it my moving my body, and keeping my frame. You don't get many of these 'body leads' in Ceroc. I prefer the look of it, and hopefully the lady shouldn't feel any difference.)
David